Oxymore

Pierre Henry, a pioneer of concrete and electronic music, left a series of sounds to Jean-Michel Jarre during his lifetime, with the mutual desire to create a new work. Five years later, in 2022, Jean-Michel Jarre refers to the deceased composer with a work that highlights the philosophy of two artists who have everything in common in their constant search for technology in the service of music, and yet who differ in the fundamental process of composition, opposing concrete and abstract music. and abstract music. In a musical journey where Pierre Henry's sounds interact with Jean-Michel Jarre's new composition in a game of mirrors, the creator of Oxygène finds his inverted doppelganger in Oxymore, opening a vortex that sucks us into an anachronistic back-and-forth where analog and digital find a common playground. Not limited to a recorded musical composition, Oxymore is conceived as an immersive work in the innovation studios of Radio France in multichannel and binaural version declined in physical concert 360 presented in preview on the occasion of the Hyper Weekend Festival. The concert is also broadcast in real time in Oxyville, a virtual city created by VRrOOm as an outpost of a metaverse under construction, accessible in social VR by a few privileged people chosen by lottery. Somewhere between constructivism and impressionism, Oxymore invites the audience to get lost in an unexpected acoustic journey, and creates a bridge between Radio France's historical sound roots and its most recent innovations. The work establishes a link between the classical/contemporary music department and the contemporary music sector, symbolically marking the launch of the "Jarre Academy of Sound" initiated by the Maison de la Radio et de la Musique and the composer.